000 | 01794nam a22003491a 4500 | ||
---|---|---|---|
001 | bpp09255617 | ||
003 | UtOrBLW | ||
005 | 20210405103621.0 | ||
006 | m d | ||
007 | cr un ---uuuua | ||
008 | 140929s2013 nyua ob 001 0 eng d | ||
020 | _a9781472545800 (online) | ||
020 | _z9781441119735 (hardback) | ||
020 | _z9781441199164 (electronic book) | ||
020 | _z9781441130679 (PDF) | ||
040 |
_aUtOrBLW _beng _cUtOrBLW |
||
050 | 0 | 0 |
_aN70 _b.C885 2013 |
082 | 0 | 0 |
_a701/.17 _223 |
100 | 1 | _aCrowther, Paul. | |
245 | 1 | 0 |
_aPhenomenologies of art and vision _h[electronic resource] : _ba post-analytic turn / _cPaul Crowther. |
260 |
_aNew York : _bContinuum International Publishing Group, _c2013. |
||
300 |
_a1 online resource (viii, 195 p.) : _bill. |
||
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aPainting as an art: Wollheim and the subjective dimension -- Abstract art and transperceptual space: Wolheim, and beyond -- Truth in art: Heidegger against contextualism -- Space, place, and sculpture: Heidegger's pathways -- Vision in being: Merleau-Ponty and the depths of painting -- Subjectivity, the gaze, and the picture: developing Lacan -- Dimensions in time: Dufrenne's phenomenology of pictorial art -- Conclusion: a preface to post-analytic phenomenology. | |
530 | _aAlso issued in print. | ||
533 |
_aElectronic reproduction. _bLondon : _cBloomsbury Publishing, _d2014. _nAvailable via World Wide Web. _nAccess limited by licensing agreement. _7s2014 dcunns |
||
650 | 0 |
_aArt _xPhilosophy. |
|
650 | 0 | _aPhenomenology and art. | |
776 | 0 |
_aOriginal _w(DLC) 2012028358 |
|
856 | 4 | 0 | _uhttp://dx.doi.org/10.5040/9781472545800?locatt=label:secondary_bloomsburyCollections |
975 | _aBloomsbury Collections | ||
999 |
_c79508 _d79508 |